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The Myth of Sisyphus is a philosophical essay by Albert Camus. (120 pages, published 1942)
In the essay, Camus introduces his philosophy of the absurd: man's futile search for meaning, unity and clarity in the face of an unintelligible world devoid of God and eternal truths or values. Does the realization of the absurd require suicide? Camus answers: "No. It requires revolt." He then outlines several approaches to the absurd life. The final chapter compares the absurdity of man's life with the situation of Sisyphus, a figure of Greek mythology who was condemned to repeat forever the same meaningless task of pushing a rock up a mountain, only to see it roll down again. The essay concludes, "The struggle itself...is enough to fill a man's heart. One must imagine Sisyphus happy."
Camus undertakes to answer what he considers to be the only question of philosophy that matters: Does the realization of the meaninglessness and absurdity of life necessarily require suicide?
He begins by describing the absurd condition: much of our life is built on the hope for tomorrow yet tomorrow brings us closer to death and is the ultimate enemy;
people live as if they didn't know about the certainty of death; once stripped of its common romanticisms, the world is a foreign, strange and inhuman place; true knowledge is impossible and rationality and science cannot explain the world:
their stories ultimately end in meaningless abstractions, in metaphors. "From the moment absurdity is recognized, it becomes a passion, the most harrowing of all."
It is not the world that is absurd, nor human thought: the absurd arises when the human need to understand meets the unreasonableness of the world, when "my appetite for the absolute and for unity" meets "the impossibility of reducing this world to a rational and reasonable principle."
He then characterizes a number of philosophies that describe and attempt to deal with this feeling of the absurd, by Heidegger, Jaspers, Shestov, Kierkegaard and Husserl. All of these, he claims, commit "philosophical suicide" by reaching conclusions that contradict the original absurd position, either by abandoning reason and turning to God, as in the case of Kierkegaard and Shestov, or by elevating reason and ultimately arriving at ubiquitous Platonic forms and an abstract god, as in the case of Husserl.
For Camus, who set out to take the absurd seriously and follow it to its final conclusions, these "leaps" cannot convince. Taking the absurd seriously means acknowledging the contradiction between the desire of human reason and the unreasonable world. Suicide, then, also must be rejected: without man, the absurd cannot exist. The contradiction must be lived; reason and its limits must be acknowledged, without false hope. However, the absurd can never be accepted: it requires constant confrontation, constant revolt.
While the question of human freedom in the metaphysical sense loses interest to the absurd man, he gains freedom in a very concrete sense: no longer bound by hope for a better future or eternity, without a need to pursue life's purpose or to create meaning, "he enjoys a freedom with regard to common rules".
To embrace the absurd implies embracing all that the unreasonable world has to offer. Without a meaning in life, there is no scale of values. "What counts is not the best living but the most living."
Thus, Camus arrives at three consequences from the full acceptance of the absurd: revolt, freedom, and passion.
How should the absurd man live? Clearly, no ethical rules apply, as they are all based on higher powers or on justification. "Integrity has no need of rules." 'Everything is permitted' "is not an outburst of relief or of joy, but rather a bitter acknowledgment of a fact."
Camus then goes on to present examples of the absurd life. He begins with Don Juan, the serial seducer who lives the passionate life to the fullest. "There is no noble love but that which recognizes itself to be both short-lived and exceptional."
The next example is the actor, who depicts ephemeral lives for ephemeral fame. "He demonstrates to what degree appearing creates being." "In those three hours he travels the whole course of the dead-end path that the man in the audience takes a lifetime to cover."
Camus' third example of the absurd man is the conqueror, the warrior who forgoes all promises of eternity to affect and engage fully in human history. He chooses action over contemplation, aware of the fact that nothing can last and no victory is final.
Here Camus explores the absurd creator or artist. Since explanation is impossible, absurd art is restricted to a description of the myriad experiences in the world. "If the world were clear, art would not exist." Absurd creation, of course, also has to refrain from judging and from alluding to even the slightest shadow of hope.
He then analyzes the work of Dostoyevsky in this light, especially The Diary of a Writer, The Possessed and The Brothers Karamazov. All these works start from the absurd position, and the first two explore the theme of philosophical suicide. But both The Diary and his last novel, The Brothers Karamazov, ultimately find a path to hope and faith and thus fail as truly absurd creations.
In the last chapter, Camus outlines the legend of Sisyphus who defied the gods and put Death in chains so that no human needed to die. When Death was eventually liberated and it came time for Sisyphus himself to die, he concocted a deceit which let him escape from the underworld. Finally captured, the gods decided on his punishment: for all eternity, he would have to push a rock up a mountain; on the top, the rock rolls down again and Sisyphus has to start over.
Camus sees Sisyphus as the absurd hero who lives life to the fullest, hates death and is condemned to a meaningless task.
Camus presents Sisyphus's ceaseless and pointless toil as a metaphor for modern lives spent working at futile jobs in factories and offices. "The workman of today works every day in his life at the same tasks, and this fate is no less absurd. But it is tragic only at the rare moments when it becomes conscious."
Camus is interested in Sisyphus' thoughts when marching down the mountain, to start anew. This is the truly tragic moment, when the hero becomes conscious of his wretched condition. He does not have hope, but "[t]here is no fate that cannot be surmounted by scorn." Acknowledging the truth will conquer it; Sisyphus, just like the absurd man, keeps pushing. Camus claims that when Sisyphus acknowledges the futility of his task and the certainty of his fate, he is freed to realize the absurdity of his situation and to reach a state of contented acceptance. With a nod to the similarly cursed Greek hero Oedipus, Camus concludes that "all is well," indeed, that "One must imagine Sisyphus happy."
The essay contains an appendix titled "Hope and the Absurd in the work of Franz Kafka." While Camus acknowledges that Kafka's work represents an exquisite description of the absurd condition, he maintains that Kafka fails as an absurd writer because his work retains a glimmer of hope.
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Absurdism is a philosophy stating that the efforts of humanity to find meaning in the universe ultimately fail (and hence are absurd), because no such meaning exists, at least in relation to the individual. The word "absurd" in this context does not mean "logically impossible", but rather "humanly impossible".
Absurdism is related to existentialism and nihilism and has its roots in the 19th century Danish philosopher, Søren Kierkegaard. Absurdism as a belief system was born of the existentialist movement, when the French philosopher and writer Albert Camus broke from that philosophical line of thought and published his manuscript The Myth of Sisyphus.
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Something called the multiverse hypothesis in cosmology speculates that ours may be but one in a cascade of universes, suddenly bettering the odds that life could have cropped up here accidentally, without divine intervention. (If the probabilities were 1 in a billion, and you've got 300 billion universes, why not?)
DAWKINS: The question of whether there exists a supernatural creator, a God, is one of the most important that we have to answer. I think that it is a scientific question. My answer is no.
COLLINS: Yes. God's existence is either true or not. But calling it a scientific question implies that the tools of science can provide the answer. From my perspective, God cannot be completely contained within nature, and therefore God's existence is outside of science's ability to really weigh in.
COLLINS: Gould sets up an artificial wall between the two worldviews that doesn't exist in my life. Because I do believe in God's creative power in having brought it all into being in the first place, I find that studying the natural world is an opportunity to observe the majesty, the elegance, the intricacy of God's creation.
DAWKINS: I think that Gould's separate compartments was a purely political ploy to win middle-of-the-road religious people to the science camp. But it's a very empty idea. There are plenty of places where religion does not keep off the scientific turf. Any belief in miracles is flat contradictory not just to the facts of science but to the spirit of science.
DAWKINS: Yes. For centuries the most powerful argument for God's existence from the physical world was the so-called argument from design: Living things are so beautiful and elegant and so apparently purposeful, they could only have been made by an intelligent designer. But Darwin provided a simpler explanation. His way is a gradual, incremental improvement starting from very simple beginnings and working up step by tiny incremental step to more complexity, more elegance, more adaptive perfection. Each step is not too improbable for us to countenance, but when you add them up cumulatively over millions of years, you get these monsters of improbability, like the human brain and the rain forest. It should warn us against ever again assuming that because something is complicated, God must have done it.
COLLINS: By being outside of nature, God is also outside of space and time. Hence, at the moment of the creation of the universe, God could also have activated evolution, with full knowledge of how it would turn out, perhaps even including our having this conversation. The idea that he could both foresee the future and also give us spirit and free will to carry out our own desires becomes entirely acceptable.
DAWKINS: I think that's a tremendous cop-out. If God wanted to create life and create humans, it would be slightly odd that he should choose the extraordinarily roundabout way of waiting for 10 billion years before life got started and then waiting for another 4 billion years until you got human beings capable of worshipping and sinning and all the other things religious people are interested in.
COLLINS: Who are we to say that that was an odd way to do it? I don't think that it is God's purpose to make his intention absolutely obvious to us. If it suits him to be a deity that we must seek without being forced to, would it not have been sensible for him to use the mechanism of evolution without posting obvious road signs to reveal his role in creation?
DAWKINS: People who believe in God conclude there must have been a divine knob twiddler who twiddled the knobs of these half-dozen constants to get them exactly right. The problem is that this says, because something is vastly improbable, we need a God to explain it. But that God himself would be even more improbable. Physicists have come up with other explanations. One is to say that these six constants are not free to vary. Some unified theory will eventually show that they are as locked in as the circumference and the diameter of a circle. That reduces the odds of them all independently just happening to fit the bill. The other way is the multiverse way. That says that maybe the universe we are in is one of a very large number of universes. The vast majority will not contain life because they have the wrong gravitational constant or the wrong this constant or that constant. But as the number of universes climbs, the odds mount that a tiny minority of universes will have the right fine-tuning.
COLLINS: This is an interesting choice. Barring a theoretical resolution, which I think is unlikely, you either have to say there are zillions of parallel universes out there that we can't observe at present or you have to say there was a plan. I actually find the argument of the existence of a God who did the planning more compelling than the bubbling of all these multiverses. So Occam's razor--Occam says you should choose the explanation that is most simple and straightforward--leads me more to believe in God than in the multiverse, which seems quite a stretch of the imagination.
DAWKINS: I accept that there may be things far grander and more incomprehensible than we can possibly imagine. What I can't understand is why you invoke improbability and yet you will not admit that you're shooting yourself in the foot by postulating something just as improbable, magicking into existence the word God.
COLLINS: My God is not improbable to me. He has no need of a creation story for himself or to be fine-tuned by something else. God is the answer to all of those "How must it have come to be" questions.
DAWKINS: I think that's the mother and father of all cop-outs. It's an honest scientific quest to discover where this apparent improbability comes from. Now Dr. Collins says, "Well, God did it. And God needs no explanation because God is outside all this." Well, what an incredible evasion of the responsibility to explain. Scientists don't do that. Scientists say, "We're working on it. We're struggling to understand."
COLLINS: Certainly science should continue to see whether we can find evidence for multiverses that might explain why our own universe seems to be so finely tuned. But I do object to the assumption that anything that might be outside of nature is ruled out of the conversation. That's an impoverished view of the kinds of questions we humans can ask, such as "Why am I here?", "What happens after we die?", "Is there a God?" If you refuse to acknowledge their appropriateness, you end up with a zero probability of God after examining the natural world because it doesn't convince you on a proof basis. But if your mind is open about whether God might exist, you can point to aspects of the universe that are consistent with that conclusion.
DAWKINS: To me, the right approach is to say we are profoundly ignorant of these matters. We need to work on them. But to suddenly say the answer is God--it's that that seems to me to close off the discussion.
DAWKINS: There could be something incredibly grand and incomprehensible and beyond our present understanding.
COLLINS: That's God.
DAWKINS: Yes. But it could be any of a billion Gods. It could be God of the Martians or of the inhabitants of Alpha Centauri. The chance of its being a particular God, Yahweh, the God of Jesus, is vanishingly small--at the least, the onus is on you to demonstrate why you think that's the case.
COLLINS: There are sincere believers who interpret Genesis 1 and 2 in a very literal way that is inconsistent, frankly, with our knowledge of the universe's age or of how living organisms are related to each other. St. Augustine wrote that basically it is not possible to understand what was being described in Genesis. It was not intended as a science textbook. It was intended as a description of who God was, who we are and what our relationship is supposed to be with God. Augustine explicitly warns against a very narrow perspective that will put our faith at risk of looking ridiculous. If you step back from that one narrow interpretation, what the Bible describes is very consistent with the Big Bang.
COLLINS: If you're willing to answer yes to a God outside of nature, then there's nothing inconsistent with God on rare occasions choosing to invade the natural world in a way that appears miraculous. If God made the natural laws, why could he not violate them when it was a particularly significant moment for him to do so? And if you accept the idea that Christ was also divine, which I do, then his Resurrection is not in itself a great logical leap.
COLLINS: Not at all. If you are in the camp I am, one place where science and faith could touch each other is in the investigation of supposedly miraculous events.
DAWKINS: If ever there was a slamming of the door in the face of constructive investigation, it is the word miracle. To a medieval peasant, a radio would have seemed like a miracle. All kinds of things may happen which we by the lights of today's science would classify as a miracle just as medieval science might a Boeing 747. Francis keeps saying things like "From the perspective of a believer." Once you buy into the position of faith, then suddenly you find yourself losing all of your natural skepticism and your scientific--really scientific--credibility. I'm sorry to be so blunt.
COLLINS: Richard, I actually agree with the first part of what you said. But I would challenge the statement that my scientific instincts are any less rigorous than yours. The difference is that my presumption of the possibility of God and therefore the supernatural is not zero, and yours is.
DAWKINS: Can I begin with an analogy? Most people understand that sexual lust has to do with propagating genes. Copulation in nature tends to lead to reproduction and so to more genetic copies. But in modern society, most copulations involve contraception, designed precisely to avoid reproduction. Altruism probably has origins like those of lust. In our prehistoric past, we would have lived in extended families, surrounded by kin whose interests we might have wanted to promote because they shared our genes. Now we live in big cities. We are not among kin nor people who will ever reciprocate our good deeds. It doesn't matter. Just as people engaged in sex with contraception are not aware of being motivated by a drive to have babies, it doesn't cross our mind that the reason for do-gooding is based in the fact that our primitive ancestors lived in small groups. But that seems to me to be a highly plausible account for where the desire for morality, the desire for goodness, comes from.
DAWKINS: Even the question you're asking has no meaning to me. Good and evil--I don't believe that there is hanging out there, anywhere, something called good and something called evil. I think that there are good things that happen and bad things that happen.
DAWKINS: For me, moral questions such as stem cell research turn upon whether suffering is caused. In this case, clearly none is. The embryos have no nervous system. But that's not an issue discussed publicly. The issue is, Are they human? If you are an absolutist moralist, you say, "These cells are human, and therefore they deserve some kind of special moral treatment." Absolutist morality doesn't have to come from religion but usually does.
DAWKINS: My mind is not closed, as you have occasionally suggested, Francis. My mind is open to the most wonderful range of future possibilities, which I cannot even dream about, nor can you, nor can anybody else. What I am skeptical about is the idea that whatever wonderful revelation does come in the science of the future, it will turn out to be one of the particular historical religions that people happen to have dreamed up. When we started out and we were talking about the origins of the universe and the physical constants, I provided what I thought were cogent arguments against a supernatural intelligent designer. But it does seem to me to be a worthy idea. Refutable--but nevertheless grand and big enough to be worthy of respect. I don't see the Olympian gods or Jesus coming down and dying on the Cross as worthy of that grandeur. They strike me as parochial. If there is a God, it's going to be a whole lot bigger and a whole lot more incomprehensible than anything that any theologian of any religion has ever proposed.